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by Spemakh

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Kober 03:29
Malazaste 06:25
Optaset 03:49


Spemakh is a surprisemusic-group from Germany. Using a wide range of homemade and custombuilt wind- and percussioninstruments, aswell as viola, doublebass, voice-noise, guitar, objects and miniature-electronics, the band is aiming for a radical play with uncertainty, involving humour, gesture and collective surprise.

...in their own words:

Nonzigo hotn nu Hur, dattemal Pinkel-Gelöm deka Rier - segge ti
Lenkito Mulrö, fen Balás-tenu egal. Zitalle quesi á Butola muff kara
Sö-kebem; schi Bim, estena Bim, schickenoll teff Malazaste.

Reldefut rögel, ínoffe zert Gutsepul eider, kúttu nu Rum Dale tipsa, da
heup mila Zuffentalent. Agnete ka Zack, Riddarholm pismolle Geitis
flament, gangtalle kose Apelbarrsch. Kober.

Di riefn, di riefn, na rollebom so kappa Zirka! Otl kawummele gries
likatelébi Signa, pölte-mum Daff takipale ze Ressn di Tu. Optaset, rada
falémde zi Bommerlunder, sepsengestein Täng fálsepi Mümpel.

Sidaperále hemse me, kö Höllepöll kásaterápe Gunzu. Kuftebier, schieb malatena iks Geike, selb Nisati teinewutz rem dalla Sobel. Ziwinter
Aschenverfall hártbeete, uplida Tol, rénferti Sackpilode.
Genzen verschémerda olkot da Wii, séglegekt nieder geh unter.


released November 29, 2019

Marius Buck – drums, percussion
Stephan Goldbach – double bass
Philipp Hawlitschek – objects, winds
Karl-Heinz Heydecke – voice noise, viola
Florian Seefeldt – electric guitar
Peter Strickmann – objects, winds, feedback

Recorded by Spemakh at Makroscope, Mülheim an der Ruhr, March 2019
Mastered by Leo Kwandt, Saarbrücken
Text on cover „Nonzigo“ by Karl-Heinz Heydecke
Graphics and Layout by Peter Strickmann

This record is published in close complicity with Shiny Toys 2019 - Festival for Time Based Experiments

Heb E Eoh Hä E was previously published as a contribution to the Troglobatem Festival Mixtape (Troglosound 2019)

Photos by Ole-Kristian Heyer


all rights reserved



Ana Ott NRW, Germany

The artists that coincide here, share a rapture for an experimental approach to sound. Genre boundaries are irrelevant.

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